for Karina Dubisky
DEPARTURE
It is light, the
Filament coined to fasten. A lithe
Filament coined to fasten. A lithe
Wiring, fingertip to fingertip.
Wrist-wrapped, wander-worn. It is dirty,
Flung across a winter, a summer. Repeat.
Repeat, repeat.
The calendars are molding. There is
Damp wood and needles, interest
Repeat, repeat.
The calendars are molding. There is
Damp wood and needles, interest
Accrued under our feet.
Around the hipbone, like a rogue
Brooch. Not a dragging, but
Floundering steps, from downtown
Around the hipbone, like a rogue
Brooch. Not a dragging, but
Floundering steps, from downtown
Lot to parking garage.
I am a telephone pole, and
The men don't sleep, they must,
They must extend the cable. Invading
The hypothesis. They must encroach.
Such a secondhand ligament.
But it is far from thinning and
Far from sagging. It often fools me.
Me fools me. The wagging water
In the desert that snaps back to
Land. A remarkable wrecking, with my
Medulla chaining me before saucer
I am a telephone pole, and
The men don't sleep, they must,
They must extend the cable. Invading
The hypothesis. They must encroach.
Such a secondhand ligament.
But it is far from thinning and
Far from sagging. It often fools me.
Me fools me. The wagging water
In the desert that snaps back to
Land. A remarkable wrecking, with my
Medulla chaining me before saucer
Eyes and all that's not mine, the
Procession paralyzed. Monkeys
In the middle of swing. I do not know
Procession paralyzed. Monkeys
In the middle of swing. I do not know
If my mouth is full of sand.
I cannot specify what is lounging
On my tongue. An emptiness? A
Mark of miles? But my face is salted, clearly labeled.
Heart hands wrung out every sparkle
In preparation. We are not grunting in
Gasped galleries. We are not drowned
In that yellow light yet. But, God, we could be.
DaVinci's dinner is not for us. No, we
Chose a cardboard table instead, with
An atmosphere defined by an inch of
Glass, blocked.
Epoxy and a cat. The sweep
Above your lash.
This is a manual. This is how to end
A pinch of the whole. What number is
It for you? How lengthy is the summation
I cannot specify what is lounging
On my tongue. An emptiness? A
Mark of miles? But my face is salted, clearly labeled.
Heart hands wrung out every sparkle
In preparation. We are not grunting in
Gasped galleries. We are not drowned
In that yellow light yet. But, God, we could be.
DaVinci's dinner is not for us. No, we
Chose a cardboard table instead, with
An atmosphere defined by an inch of
Glass, blocked.
Epoxy and a cat. The sweep
Above your lash.
This is a manual. This is how to end
A pinch of the whole. What number is
It for you? How lengthy is the summation
Of your type-written role?
It meets the morgue; we cry, but
Now it is renewed. A screaming signature
So the undone seconds of an
Intermission are redone. And we are
Back to number one.
O umbilicus, do not let the knot fly
Through. It is two, it is two. The cord
Will be galvanized ─ our bellies
Withdrew. Mutual permission to
Gird them in steel. A flattening
In the field. The porch, the dark parlor
It meets the morgue; we cry, but
Now it is renewed. A screaming signature
So the undone seconds of an
Intermission are redone. And we are
Back to number one.
O umbilicus, do not let the knot fly
Through. It is two, it is two. The cord
Will be galvanized ─ our bellies
Withdrew. Mutual permission to
Gird them in steel. A flattening
In the field. The porch, the dark parlor
Now taped off. A terminus
For pilgrimage. A million Meccas.
For pilgrimage. A million Meccas.
Shrines noisy with the
Parroting of you.
I love you, I love you.
Your flat bleats it's siren song. A
Melody of manipulation, of maturation,
And in the harmony is a promise.
A future wine-kiss. A madam, a
Tarot table. A surplus of this,
Of this, of this.Parroting of you.
I love you, I love you.
Your flat bleats it's siren song. A
Melody of manipulation, of maturation,
And in the harmony is a promise.
A future wine-kiss. A madam, a
Tarot table. A surplus of this,
© 2014 BENJAMIN SMITH