You are
flat, you are flat,
Fixed between two slides like
A germ, firm. Flat. I lionize.
Brother of the cry of the back door,
Brother of the bat.
Fixed between two slides like
A germ, firm. Flat. I lionize.
Brother of the cry of the back door,
Brother of the bat.
Trimmed
of matter, trimmed
Of fat.
Witnessed only in nudged knick
Knacks,
or in a touch, a paralytic pressing
Of this,
of that. You seem disappointed, though.
You seem
a bit detached.
Black
concentrate. The same as
In your grandmother’s frames –
You are monochrome, revolving in an
In-between state, yet to navigate to grip
In your grandmother’s frames –
You are monochrome, revolving in an
In-between state, yet to navigate to grip
The knob.
There is no knob. Not yet.
A cross-stitch
wheel with your thread
A bridal train. It scrapes like a butcher’s babe
A bridal train. It scrapes like a butcher’s babe
And here
it is, the rift. Mobile in daylight, twilight,
All
light, you walk. O look at those limbs,
Slim,
black legumes in a crystal suit.
Ironclad,
it accommodates.
You
asked. Implored. Now mother moons lend
A poor,
poor excuse for a voice. A sharpened sigh
At night,
an audible frieze. Flat, pressed
Poppy, the glass is not your crutch.
It boxed you up all Christmas-like, all
Poppy, the glass is not your crutch.
It boxed you up all Christmas-like, all
Chinese.
So lustrous,
so compact, scalp smoothed
By the
stuff of trees.
Dry, indelible,
flat. Pellucid, with an upright riddled
Facsimile
rightfully cast. The onus of a
Caryatid,
holding up this crust.
It made
you useful, little loaf beneath the
Garden.
Glassy aftermath – you hang horizons
On your
shoulders like stoles, like holes unbidden
In the
matte. It heard you ask and ask and
Ask. That
swindler. That savior. That ashen acrobat.
© 2014 BENJAMIN SMITH